|
In Aphrodite’s Children Jay Marshall is the archetypal Syd Barrett-type stoned out freak: “Because Jay was special. His fame went before him. It was legend: his bean sprouts in plastic, inch-slice scrapings, two-second dips with herbal tea bags. His algebra on shirt sleeves and see-through socks. People all knew. Jay Bird they called him, remarking on the absence, the bag spills in cupboards, the smell of hemp and fruit. The acid tabs in eggcups. The half-eaten fungi. The recycled platefuls of beans on toast.”
|
The Pink Fairies were an English rock band active in the Ladbroke Grove underground and psychedelic scene of the early 1970s. They promoted free music, drug taking and anarchy and often performed impromptu gigs and other agitprop stunts, such as free outside the gates at the Isle of Wight pop festival, the Windsor Free Festivals as well as appearing at the first Glastonbury outing and Phun City. They recorded DO IT in 1971. Taking the title from Jerry Rubin’s Yippie book, it expressed the drive to live in the now, wild, crazy, expressive, instinctive, and quite without inhibitions: Don't think about it |
Jay or Syd Barrett would have been diagnosed by ‘anti-psychiatrist’ R D Laing as someone trying to find a way of expressing problems passed on by the family. Laing argued that self image is constructed mainly by how we are mirrored back by our peers ─ and that when a family group passes round ‘politic lies’ which directly contradict the experience of its members (”You’re not really like that”) a child can lose all sense of identity. The resulting mental illness he saw as a cathartic journey (similar to shamanism) which, understood properly, could lead to healing. Laing supported authenticity, patient rights and rebirthing. His criticisms of orthodox psychiatry were very much part of the 60s academic attack on ‘VALUE JUDGEMENTS’, particularly in the social sciences, where they were often seen as bourgeois and elitist.